Nigerian Ancestry in America | What my DNA reveals about the U.S.

Posted on October 6, 2021 by CultSurf

two Nigerian women in traditional dress, representing the topic of Nigerian ancestry in America — .

The craze of ancestry testing has swept the globe. Organizations like Ancestry.com and 23andMe have been on the receiving end of millions of spit samples for a time now. I sent mine in, you can believe. One of the most interesting parts of doing a test like this is learning your backstory. Not just of a family, but of an entire world. There was a whole global exchange that happened, something never seen before.

Now, I know these tests aren’t perfectly accurate and they might misrepresent ethnicities and countries. But my question is: What does our ancestry reveal about American history and identity? I mean Nigerian ancestry, in this case.

Before we get started, I just want to lay out a disclaimer; I am not a geneticist or DNA expert. Besides the science or validity of testing, I want to look more at context. How did Nigerian ancestry even get to America? And why is there so much Nigerian ancestry in so many black people? The focus today will not be about DNA itself, but about the story that ancestry tells about American history and identity. That’s because the story of my ancestry is the story of many people. Let’s take a look, shalt we?!

Sorry, that was oldschool.

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How did Nigerian ancestry get to America?

Well, that one’s quite obvious isn’t it? Unless you’re living on an alternate time plane, we trust that most African heritage in the New World was brought under terms of slavery. Now, slavery was already being practiced in West Africa before Europeans showed up.

I only mention that because when the Portuguese arrived at what is now Nigeria, they initially set up contracts with local African leaders to trade slaves across the region. (BTW, where’d you think the name “Lagos” came from? Portuguese!) That is to say, traders already had a system set up with regional leaders. Soon after, they began to take some of those slaves for themselves to Brazil, and of course, England followed suit.

Nigerian ancestry (in America and elsewhere) comes mostly from a few groups, either Yoruba, Igbo, Edo, or Fulani, despite being home to over 250 ethnic groups. The Hausa are a very large group too, but they weren’t sent as much to the Americas. Throughout the Trans-Atlantic slave trade, most of those sent to the 13 Colonies (baby USA) were of Yoruba and Igbo origin. The Igbo captives, in particular, were known for being rebellious, violent, and even suicidal in revolt against slavery. This bad rep probably led to less of them being brought to the country over time. The ones that did make it were mostly held around the Mid-Atlantic colonies (Virginia, Maryland), according to records.

People of West African origin, including today’s Nigeria, would make a profound impact on the musical and culinary styles of the places they were sent to. In the United States, these manifested into ragtime, jazz, soul, funk, blues, rock, R&B, hip-hop, and more. Think of them as intensely Americanized versions of African music. Remember, Nigeria was not a country at the time of American colonialism and many West African cultures extended beyond their present borders.

It’s important to note that there have been a couple of waves of Nigerian immigration to the U.S., especially Igbo, since the times of abolition. One of those immigration spikes is happening right now, actually. Nigeria today is the most populous nation in Africa, and its ancestry is highly present in many black Americans, whether for recent or historical reasons. But there’s just one problem: Many black people have too much Nigerian ancestry.

Nigeria’s overrepresentation in black American DNA

So, there’s a bit of a mystery when it comes to black American ancestry — well, a lot actually, but let’s look at this one thing. I’m what most people call “mixed” or “light-skinned(ed),” but the African ancestry I do have is mostly Nigerian. By now we understand how arbitrary that is. I mean, how much of that is Yoruba, or Edo, or any of those other 250? The point is, this scenario seems to be similar for many Americans with African ancestry — at least those that have been here for several generations.

What happened was that most slaves from today’s Nigeria were sent to the Caribbean or South America. North America … not so much. Those brought to today’s U.S. were mostly from Senegambia (Senegal, Gambia, Guinea) or Central Africa (the Congo, Angola, Cameroon), so the records say. If that’s true, then where did all these Nigerians come from?

There are a couple of theories and explanations for that. One is that Nigerian ancestry shows up more on DNA tests because a higher proportion of Nigerians partake in DNA studies compared to other African nations. So, that might boost your Nigeria score.

Another motive could stem from the abolition of Trans-Atlantic slave trading when it became illegal to capture and bring slaves from Africa anymore. That happened in 1808 in the USA. The weird part is that part of the pressure to do this, beside moral and economic, was to put a hold on the black population which actually outnumbered whites in the South. In order to get more black slaves later on, the U.S. had to import them from other New World colonies, particularly those in the Caribbean. This continued to happen even after all slavery was abolished in America.

It seems that there was a much higher death rate among the Senegambia slaves since they were among the first to arrive. It’s like the Europeans didn’t really know what they were doing yet, and so a lot of the slaves ended up dead. There were higher death rates in the Caribbean and South American slaves, but once brought to the U.S. they usually did a little better.

Many were probably second-generation and were already used to the hard life on plantations. It’s thought that they intermarried with the established black population or even outnumbered them in places, enough so that their gene pool would become dominant. In reality, it could be due to a mixture of reasons.

In Conclusion

As a black-ish American, it is fascinating to me to learn more about my African heritage. There’s a lot to be proud of and a lot to feel bad about. The idea that Nigerian ancestry is likely so dominant due to Caribbean slaves being brought into the States really demonstrates how linked together black people of the New World are. We don’t have our old languages, customs, or religions, but we do have our own new dialect, our own new customs, and a rich culture that has taken the world by storm!

As I said, I am mixed, so I’ll be going over the different white, black, and whatever else ancestry I have over the coming weeks / months. It is all a part of a quest to understand the history of this country. What shows up on our DNA tests, whether exact or not, reveals not only how America was made. It reveals how the world made America.

Thanks for reading! As always, take care out there. 😉

‘Django Unchained’ & American Society- What’s it say about us?

Posted on July 8, 2021 by CultSurf

movie poster cover for Django Unchained — .

Django Unchained was a 2012 American movie by Quentin Tarantino that shook up so many of its viewers. With references to Spaghetti Westerns, Southern epics, and slavery pieces to name a few, this movie also had a lot to say about American society overall. Down below are a few of the points about our society, past and present, that were referenced in Django Unchained.

That’s Racist

protesters holding signs against racism and hatred, relating to the Django topic of racism and american slavery — Jason Leung

The most obvious thing that Django Unchained tells us about America is slavery and racism. We all know about the Trans-Atlantic slave trade and the nation’s history of African enslavement. In the movie, we see how pseudo-religious and pseudo-scientific concepts were used in those days to justify slavery.

You remember the whole scene where Mr. Candie (DiCaprio’s character) uses one of his former slave’s skulls to demonstrate how black people are anatomically inferior to whites. Or that scene where the slaver uses the Bible to justify his whipping and punishing of the “sub-human” slaves.

The cold part is that this stuff really happened, and a lot. It seems like every five words in Django is the “n-word,” and this is more for a shock effect than anything. I mean, I’m sure white people in those days called black people nigger a lot, but not like every five seconds. Still, the use of this word and other racial slurs in the movie shows us how language has been used throughout our country’s history to uplift certain groups and diminish others. And that goes both ways.

Okay, so we saw whips and chains, physical representations of bondage and dominance — not to get freaky. Oh, and we saw a glimpse of a pre-Ku Klux Klan group in one of the funniest scenes of the entire movie. The KKK really formed after abolition as a kind of retaliation against blacks gaining equality. Django (Jamie Foxx) and Dr. Schultz (Cristoph Waltz) later in the movie start to be treated with a bit of respect when they are presumed to have money and status. This shows how even racism can be curbed when there are benefits involved.

Frontier Living

a western ghost town, relating to the theme of frontier, old west, and the antebellum south — Eniko Polgar

Django Unchained at its heart is a Western, so the usual gun-slinging and street shootouts had to be a part of it. The characters throughout most of the movie are riding horses and carriages across open landscapes, mountains, and everything we associate with the Old West. We even see the classic cowboy stand-offs in the small frontier town, people running to get the sheriff, and a saloon fight.

The Antebellum South is also represented when they get to Mississippi. There we see big plantations and plantation homes being worked by slaves. Besides that, we get a look at some slave quarters, those common oak and poplar trees of the South, and big fields of cotton to be picked. And of course, all around is the sense of white dominance and complacency for being in control of that crazy world they’d created.

The Outlaw is B(l)ack!

a black man with a cowboy hat, relating to the theme in Django Unchained of black outlaws and historic outlaw figures — Hennie Stander

Another thing this movie does is show audiences how black outlaws and bounty hunters did exist in the Old Western days. I feel like this movie opened up in many ways for people to learn about such figures as black cowboys and bounty hunters, a subject that was not really touched on before in movies or TV (at least to this extent).

Django shows in part the presence of these lesser-known historic black figures of that time, informing that they were also a part of the development of the country. There’s also something many people forget, that some slaves were able to buy their freedom and lead interesting lives outside of the establishment.

Reparations … or Revenge?

an explosion and fire representing the fiery nature of revenge and vengeance — Andy Watkins

Since the times of slavery in America, there has been a sense of black people recovering some kind of dignity, strength, even ranging into dominance. It’s important to remember that not all people in any group will want the same things, which is normal. Still, when Django goes and kills all of the slavers that did him wrong, there’s this sense of “justice served cold” that reverberates off of every gunshot and explosion.

There’s a constant debate in the USA of whether there should be reparations or compensation given to black Americans for the terrible deeds taken against their ancestors. There is this underlying feeling of getting revenge on these racist actions, which is completely exploited in this movie. Let me also remind you that the German’s full name is Dr. “King” Schultz, likely a nod to Dr. Martin Luther King as a kind of liberator and symbol for good.

Through all the killing that Django does, we also get an idea of the violent nature of rebellions in general, especially as it deals with the black-led ones. There was many a violent uprising in America’s past, and this movie plays a bit on such true historic bloodbaths.

And the White Director

So Quentin Tarantino doesn’t look very black, as far as most of us can tell. The fact that a white guy had directed a movie like this did conjure up some backlash for the film. Django Unchained touches on some pretty sensitive subject matter, particularly concerning black Americans. So one might imagine how some people felt uncomfortable with it.

Tarantino movies aren’t for everyone and lots of people are already uneased by the cartoonish violence in them. Put that together with about a thousand “n-bombs” and you’ve got a sure recipe for retaliation. Even though many people thought he had no business making a movie about slavery, there were still those that enjoyed Django Unchained regardless of its crazy subject matter. Q. T. does actually have a cameo in the movie and gets blown up, which shows that even the director wasn’t safe from Django’s vengeful rage.

Boy, I Swear

a sign reading "it's f***ing fantastic" representing the tendency of many people in American media and Hollywood to curse openly — Etienne Girardet

Another common feature in Tarantino’s movies is the liberal and consistent tendency of his characters to swear. This is just his style, and it comes more so from this culture surrounding Hollywood or Southern California — where almost everyone I know curses. Some are offended by this constant use of bad words, and others could care less.

One thing that’s funny about this, though, is that people back in those times (early-mid 1800s) definitely did not curse as much as in the movie. Sure, there was cursing, but people back in those days were generally pretty conservative and religious by today’s standards. I had this same thought watching The Hateful Eight which had a similar amount of cussing in a time period that people probably didn’t have such dirty mouths.

Read more: The Wolf of Wall Street

This feature of the movie was likely used to connect modern audiences to this past period in time, similar to how the score contained some rap songs. It also reminds audiences that this story is fictional and for entertainment purposes, so don’t be taking it all so seriously.

America, the Beautiful Mixed Baby

historic map of north america some of the diverse heritage of the USA — British Library

In Django Unchained are black people (obviously), Germans, Australians, other Americans, and Mr. Candie who loves French — even though he can’t speak or understand it. Some aspects of the culture, especially on the German side, are explored a bit deeper. With all of this, we get reminded of America’s very mixed heritage.

Germans at a certain point in the U.S. interior were very prevalent and made up a large part of the immigration there. All these different people of varying backgrounds remind us of this uncommon origin we share that turned the U.S. into a land of immigrants. It also reminds us that a large part of the country, like the West, was built by outlaws, runaways, and people seeking the thrill of adventure until turning it into what it is today.

Read more: Aren’t Americans white?

**What did you think of this movie? Are you fond of Tarantino or do you avoid his movies at all costs? If you can, share what else Django Unchained showed us about American or world society. Also, feel free to check out similar posts on At the Movies. Message me at tietewaller@gmail.com for direct contact or to collaborate on something! Thank you for reading and peace to you.

Aren’t there a lot of black people in America, like on T.V.? – Black identity in the USA

Posted on March 17, 2021 by CultSurf

The story of the U.S. is a complicated and controversial one, and few things add to that controversy than the question of race. Topics related to race, slavery, civil rights, citizenship, and even cultural identity can be traced to one of America’s most important groups of people. Speaking of that cultural identity you, as a foreigner, might have noticed that many famous movies (Coming to America, Training Day, Black Panther), T.V. shows (The Fresh Prince of Bel Air, Everybody Hates Chris, My Wife and Kids), and social figures (Barack Obama, Martin Luther King Jr., Oprah Winfrey) are African Americans or star lots of black people. When you talk about singers and musical influence, black Americans almost take home the prize for most impactful internationally. With all this influence, you might expect to go to the U.S. and see tons of black folks walking around everywhere. But are there really that many of us?

Fortnite now has a Black Panther skin and a Wakanda Forever emote - Polygon — Even Fortnite uses black culture, Wakanda Forever! from Polygon.com

I previously wrote about the misconception of America being pretty much all white, but this is an interesting turn of thinking. Maybe after seeing and listening to so many things featuring black people, you might conclude:

Hey, there has to be a lot of black people in the U.S., right? Why else would they be so prevalent on T.V. and music and all that?

Well, the answer would be no; black people in America aren’t as prevalent as you might think.

How it can feel to be black in America sometimes… Photo by Nicholas Green on Unsplash

To be fair, even I was surprised by how many African Americans there truly are. Don’t get me wrong, there are lots of black Americans. As I said in a previous post, black people are actually a majority or almost half the population in several cities across the country, in places like New Orleans, Atlanta, Detroit, and many others. Despite all that, there are almost 330 million Americans, and people who identify as only black are 13.4% (about 44 million). So yes, that is a lot of black people, but it’s a small number compared to all the other people in the country.

Of course, you have to remember that many African Americans are not fully “black” but may identify as black because of reasons related to cultural identity, family ties, or simply not thinking that much about the question. You might find a light-skinned person with African ancestry more likely to identify as “black” if he or she grew up around mostly black people, lives around mostly black people, and identifies mostly with black American culture. This goes back to the “One Drop Rule“ in the U.S., to which I’ll leave a link for more information down below. That also leaves us with blacks who might consider themselves “mixed-race” even though they are darker-skinned, but that’s a little less common. By the way, colored and mulatto used to be acceptable terms for mixed people, but they are considered offensive by most people nowadays.

Although black people practically make up a small minority in the U.S., there are reasons why they might seem so prevalent on T.V. and other media. One is that the country is huge! 13 percent of 330 million is still a ton of people, so of course, they seem like a lot. Another point is that many of these people went to urban areas like big cities after slavery and especially after suffering discrimination/violence in the South. Cities are where most of the cultural output comes from, so that’s why we seem to have so many black actors, musicians, musical styles, and social figures. Several of these figures exist purely because of the discrimination blacks have suffered. Black people in politics are on the rise recently too, so that could add to this misconception.

One more point I want to make is that black people have been severely and openly discriminated against in the U.S. for centuries, and people who supported slavery had all kinds of misconceptions about race, ethnicity, and what was good for the nation. Of course black people, and almost any minority in fact, have suffered all over the world, but the U.S. handled it a bit differently. After creating some highly significant social leaders and leading its own power movements, a big push has been made by black Americans to support each other, promote each other, and work with each other. There has been such a big momentum with black people trying to “catch up” with white Americans and have equality that this has allowed black people to be present in almost all facets of American life. Think of “#OscarsSoWhite” and the following year when a ton of black movies and filmmakers won awards. Even though black Americans in general are pretty well represented and better off than black people in almost all other American countries (think of Haiti, Brazil, Cuba, and many African nations for that matter), there is always a push for more equality and representation. I suppose all people deserve this and I’m glad to help represent my country and ancestry, even if it’s in a subtle, blog-writing way.

Black-ish guy making a movie, Photo by KASHILEMBO WABU

Even if there aren’t as much of us as you might have thought, I encourage you to keep listening to our music, keep watching our T.V., and keep supporting our social movements. Black people just want respect like anybody else, and I’m sure that they’d be proud to know how truly influential black U.S. culture has been all over the world. Keep up the support!

Speaking of support, I appreciate you for reading this post! Feel free to check the resources below to learn more and keep an open mind. If you liked this post, read some other ones here on the website. Tell me what you think of black American culture or people in the comments, or send me an email at tietewaller@gmail.com. Cool? Peace and take care!