after the Alabama River which is named after the Alabama people, the name refers to someone of Alabama heritage in the Alabama language, could also come from the Choctaw language meaning “clearers of the thicket” or the Creek language for “tribal town“
Population
< 5,024,000
Main Languages
Predominantly English (~ 95%). The local accents are known as Alabama English, part of the Southern U.S. variety.
Capital
*Montgomery
Largest City
Huntsville
Birmingham (largest urban area)
Location
Southeastern United States, a state in the general Deep South region, also part of the greater Appalachia and Gulf Coast regions. Has a small coastline on the Gulf of Mexico (Atlantic).
Django Unchained was a 2012 American movie by Quentin Tarantino that shook up so many of its viewers. With references to Spaghetti Westerns, Southern epics, and slavery pieces to name a few, this movie also had a lot to say about American society overall. Down below are a few of the points about our society, past and present, that were referenced in Django Unchained.
The most obvious thing that Django Unchained tells us about America is slavery and racism. We all know about the Trans-Atlantic slave trade and the nation’s history of African enslavement. In the movie, we see how pseudo-religious and pseudo-scientific concepts were used in those days to justify slavery.
You remember the whole scene where Mr. Candie (DiCaprio’s character) uses one of his former slave’s skulls to demonstrate how black people are anatomically inferior to whites. Or that scene where the slaver uses the Bible to justify his whipping and punishing of the “sub-human” slaves.
The cold part is that this stuff really happened, and a lot. It seems like every five words in Django is the “n-word,” and this is more for a shock effect than anything. I mean, I’m sure white people in those days called black people nigger a lot, but not like every five seconds. Still, the use of this word and other racial slurs in the movie shows us how language has been used throughout our country’s history to uplift certain groups and diminish others. And that goes both ways.
Okay, so we saw whips and chains, physical representations of bondage and dominance — not to get freaky. Oh, and we saw a glimpse of a pre-Ku Klux Klan group in one of the funniest scenes of the entire movie. The KKK really formed after abolition as a kind of retaliation against blacks gaining equality. Django (Jamie Foxx) and Dr. Schultz (Cristoph Waltz) later in the movie start to be treated with a bit of respect when they are presumed to have money and status. This shows how even racism can be curbed when there are benefits involved.
Django Unchained at its heart is a Western, so the usual gun-slinging and street shootouts had to be a part of it. The characters throughout most of the movie are riding horses and carriages across open landscapes, mountains, and everything we associate with the Old West. We even see the classic cowboy stand-offs in the small frontier town, people running to get the sheriff, and a saloon fight.
The Antebellum South is also represented when they get to Mississippi. There we see big plantations and plantation homes being worked by slaves. Besides that, we get a look at some slave quarters, those common oak and poplar trees of the South, and big fields of cotton to be picked. And of course, all around is the sense of white dominance and complacency for being in control of that crazy world they’d created.
Another thing this movie does is show audiences how black outlaws and bounty hunters did exist in the Old Western days. I feel like this movie opened up in many ways for people to learn about such figures as black cowboys and bounty hunters, a subject that was not really touched on before in movies or TV (at least to this extent).
Django shows in part the presence of these lesser-known historic black figures of that time, informing that they were also a part of the development of the country. There’s also something many people forget, that some slaves were able to buy their freedom and lead interesting lives outside of the establishment.
Since the times of slavery in America, there has been a sense of black people recovering some kind of dignity, strength, even ranging into dominance. It’s important to remember that not all people in any group will want the same things, which is normal. Still, when Django goes and kills all of the slavers that did him wrong, there’s this sense of “justice served cold” that reverberates off of every gunshot and explosion.
There’s a constant debate in the USA of whether there should be reparations or compensation given to black Americans for the terrible deeds taken against their ancestors. There is this underlying feeling of getting revenge on these racist actions, which is completely exploited in this movie. Let me also remind you that the German’s full name is Dr. “King” Schultz, likely a nod to Dr. Martin Luther King as a kind of liberator and symbol for good.
Through all the killing that Django does, we also get an idea of the violent nature of rebellions in general, especially as it deals with the black-led ones. There was many a violent uprising in America’s past, and this movie plays a bit on such true historic bloodbaths.
So Quentin Tarantino doesn’t look very black, as far as most of us can tell. The fact that a white guy had directed a movie like this did conjure up some backlash for the film. Django Unchained touches on some pretty sensitive subject matter, particularly concerning black Americans. So one might imagine how some people felt uncomfortable with it.
Tarantino movies aren’t for everyone and lots of people are already uneased by the cartoonish violence in them. Put that together with about a thousand “n-bombs” and you’ve got a sure recipe for retaliation. Even though many people thought he had no business making a movie about slavery, there were still those that enjoyed Django Unchained regardless of its crazy subject matter. Q. T. does actually have a cameo in the movie and gets blown up, which shows that even the director wasn’t safe from Django’s vengeful rage.
Another common feature in Tarantino’s movies is the liberal and consistent tendency of his characters to swear. This is just his style, and it comes more so from this culture surrounding Hollywood or Southern California — where almost everyone I know curses. Some are offended by this constant use of bad words, and others could care less.
One thing that’s funny about this, though, is that people back in those times (early-mid 1800s) definitely did not curse as much as in the movie. Sure, there was cursing, but people back in those days were generally pretty conservative and religious by today’s standards. I had this same thought watching The Hateful Eight which had a similar amount of cussing in a time period that people probably didn’t have such dirty mouths.
This feature of the movie was likely used to connect modern audiences to this past period in time, similar to how the score contained some rap songs. It also reminds audiences that this story is fictional and for entertainment purposes, so don’t be taking it all so seriously.
In Django Unchained are black people (obviously), Germans, Australians, other Americans, and Mr. Candie who loves French — even though he can’t speak or understand it. Some aspects of the culture, especially on the German side, are explored a bit deeper. With all of this, we get reminded of America’s very mixed heritage.
Germans at a certain point in the U.S. interior were very prevalent and made up a large part of the immigration there. All these different people of varying backgrounds remind us of this uncommon origin we share that turned the U.S. into a land of immigrants. It also reminds us that a large part of the country, like the West, was built by outlaws, runaways, and people seeking the thrill of adventure until turning it into what it is today.
**What did you think of this movie? Are you fond of Tarantino or do you avoid his movies at all costs? If you can, share what else Django Unchained showed us about American or world society. Also, feel free to check out similar posts on At the Movies. Message me at tietewaller@gmail.com for direct contact or to collaborate on something! Thank you for reading and peace to you.
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